Free Download Star Trek: The City on the Edge of Forever, by Harlan Ellison David Tipton
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Star Trek: The City on the Edge of Forever, by Harlan Ellison David Tipton
Free Download Star Trek: The City on the Edge of Forever, by Harlan Ellison David Tipton
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Review
"A compelling new perspective on one of the finest Star Trek tales of all time." –ForbiddenPlanet.co.uk"You can't call yourself a real Star Trek fan without experiencing this work." –Trekcore.com"City on the Edge of Forever is the comic Star Trek fans have been waiting for." –ComicBookTherapy.com
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About the Author
Harlan Ellison is a multiple Hugo-, Nebula-, and Edgar Award-winner, and has been named a Grand Master by the Science Fiction and Fantasy Writers of America. He has written for the original Star Trek series, both the original The Outer Limits and it's 1997 revival, and the 1985 revival of The Twilight Zone. Among his other well-known works are the Dangerous Visions anthologies, which he edited, the short story "I Have No Mouth, and I Must Scream," and the novella "A Boy and His Dog." He lives in Los Angeles.
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Product details
Series: Star Trek
Hardcover: 128 pages
Publisher: IDW Publishing (February 17, 2015)
Language: English
ISBN-10: 1631402064
ISBN-13: 978-1631402067
Product Dimensions:
7.5 x 0.5 x 11.3 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
131 customer reviews
Amazon Best Sellers Rank:
#95,275 in Books (See Top 100 in Books)
This graphic novel adheres VERY closely to Ellison's original script -- which can be found in paperback, here on Amazon, with a long and fascinating essay ("Perils of the City") that reveals who wrote what (Ellison wrote the original treatments and script, and first revision) and when (three others, none of them Roddenberry) -- and everyone does a bang-up job with the adaptation. The writing/adaptation by the Tiptons is terrific. The standard covers, for each of the five original issues, by Ortiz -- especially the cover for issue #1, which graces this graphic novel collection -- are as funky and fun and as art deco as ever (and they are included herein, as are the "special covers" by Paul Shipper, featuring paintings of Trek characters from the classic TV show). Woodward's Illustrations inside are sublime. He even includes "Easter Eggs" for his friends and, when he began to loosen up by issue or part 3, after getting positive feedback from Ellison himself, tosses in "Ellison eggs" (references to some of Ellison's short stories in the form of signs and writing and graffiti, and at least one illustration of what looks like Blood as he appeared in the '74 movie adaptation of "A Boy and his Dog"). Even Harlan's visage makes an appearance, when a certain WWI vet rolls onto the stage.Bonuses with the hardcover include a new intro and afterword by Harlan Ellison as well as copious artist notes from JK Woodward, regarding his method of working -- interesting even to those not inclined to draw or paint -- as well as about the series itself (pointing out the various "eggs", and methods he used to illustrate various scenes, including one that involves an electric toothbrush that made me fall off my seat).Yeah, the revised ending -- AKA the televised version -- had its moments, and yeah the ending there worked quite well on a visceral level. But the original ending, as well as an in-depth discussion between Kirk and Spock about love, the broaching of racism and xenophobia that Ellison originally wrote into the teleplay are all sorely missed. It seems that Roddenberry and his minions preferred the visceral over the intellectual. More's the pity. On the other hand, this graphic novel -- because comic books are basically storyboards with more detailed illustration and dialogue -- allows those who enjoyed "Star Trek" as well as anyone who enjoys good writing to finally have the brilliant, WGA-award winning script play out before their eyes. And they can still go back and enjoy the revised/televised version if they so choose.And, of course, the illustrations are larger in this version, since the graphic novel/book is larger than the comic format, which makes Woodward's illustrations even more beautiful to be hold.This one's a five star keeper, folks.
City on the Edge of Forever is a story at the core of the Star Trek universe, and we should be eternally grateful to Harlan Ellison for gifting it to us. Any true Star Trek fan should pick up this book. The artwork is amazing, and it offers a kind of alt-universe view of one of our favorite Trek stories.However, it is impossible to read this story without comparing it to the broadcast version, and I have to say that the televised version is superior to what is on the page here. I see two major problems with this version of the story. First, it removes McCoy as a factor in the story, instead inserting a drug dealing crew member as the one who destroys the timeline. This villain not only compromises Roddenberry's vision of an evolved, enlightened human race exploring space, it also makes evil a driving force of the story rather than fate. In my opinion, this softens the blow of the story's dramatic ending, in which Kirk has to admit that he is not stronger than fate.Second, I find the relationship between Spock and Kirk to be rather cool in this comic. That is a stark contrast to the televised story, which provides one of the best portraits of the friendship between the two men. Yes, the Ellison script has some important lines that should definitely have been included in the televised script, such as Spock acknowledging why Edith Keeler speaks to Kirk's heart in a way that a long line of women never did. Reading Ellison's version provides clarity as to why the amorous Kirk will always be haunted by the names Edith Keeler and Carol Marcus.But overall, I prefer the televised story, in which an evil villain is not at play, and Kirk and Spock strive to not only restore the timeline, but to also restore the triadic friendship by saving their desperately lost comrade, McCoy.
Consider me among the ones who feel The City on the Edge of Forever is either #1 or #2 of my all time favorite original Star Trek episodes (#1 alternates between this episode and The Doomsday Machine, which is easily the most suspenseful episode of the original -and any subsequent- series).So here's the thing: Harlan Ellison created the story and wrote the initial screenplay but changes were made to it by outside hands and the episode that eventually aired had the most of the framework of Ellison's original story as well as some prominent deviations. If you're at all familiar with Mr. Ellison, you'll know this didn't sit well with him.A number of years ago Mr. Ellison released a book which included his original screenplay and I read it but found it difficult to compare/contrast in my mind the actual episode versus Mr. Ellison's screenplay. The episode outshone the screenplay because the episode was so familiar/visual to me and it was tough to get that same "visual" experience out of reading a screenplay.This was resolved, to a great degree, by this graphic novel, which featured an adaptation of the screenplay by writers Scott and David Tipton and illustrated -quite well!- by J. K. Woodward, and it was a most curious thing!To begin with, and with all due respect to Mr. Ellison, I still feel the original episode as aired is better. The most significant differences between screenplay and aired episode -and I'll try not to be too spoilery- include the participation of Dr. McCoy (he plays a big part in the episode and doesn't appear at all in the screenplay/graphic novel), the climax involves action taken by Kirk in the episode versus Spock in the screenplay, the appearance of a crippled WWI veteran (one thing I would have really liked to see in the episode but was cut out entirely), and a cerebral conversation between Kirk and Spock in the screenplay's conclusion.Of the things listed above, inclusion of McCoy in the episode was, IMHO, a stroke of genius and allowed viewers to become more engaged in what was to happen versus the character Mr. Ellison created, a drug dealer/murderer, who sets the actions in motion. Further, I feel the climactic resolution resonates more in the episode by having Kirk act versus Spock. The result was an emotional gut punch that no other episode in the series was able to deliver.And yet, as Spock would say, it is fascinating to see the original screenplay presented in graphic form. Would a more faithful to the screenplay episode have made for a better CEF? To this reader, not quite. But having said that, if you're a fan of Star Trek and CEF in particular, do yourself a favor and give the graphic novel a look. Recommended.
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