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Carnal Alchemy: Sado-Magical Techniques for Pleasure, Pain, and Self-Transformation
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About the Author
Stephen E. Flowers, Ph.D., and Crystal Dawn Flowers, husband and wife of more than 30 years, are the former heads of the Order of the Triskelion, a magical order dedicated to the practice of Carnal Alchemy. Stephen is the author of several books, including Lords of the Left-Hand Path, and translator of Secret Practices of the Sufi Freemasons. He is the director of the Woodharrow Institute for Germanic and Runic Studies. The authors live near Austin, Texas.
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Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER 8 THE CHAMBER THE CHAMBER AND EQUIPAGE Activity as sacred as Carnal Alchemy or Sado-Magic is often thought to deserve a special place in the home or apartment set aside for it alone. Having a chamber, or “dungeon,” just for this part of one’s life has a special purpose as well. It is usually the case that partners do not live out the dominant/submissive lifestyle twenty-four hours a day, seven days a week--and in such cases it is valuable to have a space set aside that symbolizes that part of their lives together. It is also true that entering such a space can trigger certain responses in the souls of the participants, which allow them greater psychological freedom--both from within themselves and with regard to their partners--to live out their innermost fantasies to the fullest. Such a chamber can also be a place where the artistry and imagination of the participants can be expressed--not only in the activity there, but also in the actual design and equipping of the room. And since it is unlikely that you will be offered a videotape deal on cable TV telling you how to outfit your home-dungeon, we will just have to provide some basic help in this chapter. A word of warning though: all the fancy equipment in the world won’t make your magical and erotic adventures something they wouldn’t otherwise be. The equipment can only enhance what is already there. If the spirit and empathy are not right, no amount of furniture or “infernal contraptions” will help. But because these arts are so involved with a fairly complex set of aesthetic rules and ceremonies, and because there is often the need to be able to move smoothly through a wide variety of physical sensations, the equipping of at least a minimally furnished chamber is highly recommended. PURPOSE OF THE CHAMBER The initial purpose of the chamber or dungeon is to set your activities apart from the rest of your life. This is not a means to “protect” your everyday life from the results of your Sadean practices--the effects of such scenarios are almost universally beneficial--but rather the intention is to intensify the feelings and energies generated by such activity. The chamber functions in a way similar to that of the laboratory for scientists, the studio for artists, or the temple for magicians. It contains and focuses the activities that they may be more pure, more intense, and more powerful. It you go back to our discussion of how transformations are made you will see that there must be an act of separation, of isolation of the subjects from outside influences—this must take place before the transformational play is enacted. It is after this that the subjects are re-integrated, re-included, into the mundane world. The chamber is meant to enhance this process and this experience. The “chamber effect” can be obtained in several ways. You can, of course, have a special room set aside to serve exclusively as a “playroom,” or you can make some modifications to a room being used for some other purpose that can be converted quickly and easily into such a room. A cellar, garage, or attic space is ideally suited for the “multiple purpose room.” Many will find it necessary to make their own master bedroom into the chamber. In such an event the importance of certain symbolic or ceremonial actions and/or objects becomes relatively more important. When a room normally used for more “mundane” purposes is to be temporarily transformed into a Sadean chamber, don’t forget to take some time to figure out how to change the entire atmosphere of the room into something special. Fabrics can be used to drape over furniture. Pictures or other decorations not conducive to the atmosphere should be removed or draped. Candles or perhaps red and/or blue light bulbs can be used for illumination. (Such dim lighting may be hazardous for inexperienced dominants who must often gauge the severity of some of their activities by alterations in the skin tone of their submissives, since especially red light makes red marks on the skin virtually invisible!) DESIGN OF THE CHAMBER Any well-equipped chamber should have the means for positioning (and restraining, if necessary) the submissive in at least three basic postures: standing, lying, and bending. It will also, by whatever means, have, or be capable of taking on, a very special atmosphere. This atmosphere is gained through a combination of interior design principles (furniture, wall-hangings, wall color), and other sensory tools such as mirrors, music, lighting, even incense and special drinks. All the senses are to be considered--to enhance them, subject them to pain or pleasure, or to deprive them. Certain pieces of equipment are best built into the structure of the chamber or room. There should be a way to fix the submissive in a horizontal or lying position (a bed or bed-like rack is ideal for this), and a way to fix them in a standing position. The vertical position can also easily be achieved with a minimum of alteration to the room by anchoring a large eyebolt into a brace above the ceiling. This should be secured and tested to be sure that it could bear the entire weight of the person who is to be secured to it. This should not, however, be used for actual suspension of the person’s full weight. Suspension has special requirements and should not be tried by beginners. Also you should consider using “panic” snap hooks, which make it easy for submissives to release themselves, and allow dominants to release sub-missives very quickly in case of an emergency.
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Product details
Paperback: 160 pages
Publisher: Inner Traditions; 1 edition (September 21, 2013)
Language: English
ISBN-10: 1620551098
ISBN-13: 978-1620551097
Product Dimensions:
6 x 0.5 x 9 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#357,842 in Books (See Top 100 in Books)
One of the newest trends in the magical world is the practice of sado-magic or BDSM practices in magical operations. In theory it works rather well, for magic to be successful you must visualize you goal, raise the energy and direct it then let your spell go. Sexual and BDSM practices are just one way.Of course BDSM is nothing really new. Ancient cultures had flogging rites both to purify the soul and raise energy levels . The Greek in their rites to Dionysus and Artwmis are two prime examples. The native Americans practiced piercing and suspension in order to achieve trances . Various Christian orders also practiced flagellation . Most recently it was brought into updated practice by Gerald Gardner and Alesister Crowley .The author himself belonged to the Order of Triskellion. The order's main purpose was to bring BDSM practices into magical and mainstream acceptability. They have since folded and Robert North has opened up the New Flesh Palladium.BDSM has extensive history in both Japan and Europe. Flogging or caning is sometimes called the English Vice. In Europe some famous people involved at various periods of time would include Marquise De Sade, Leon Sacher Masocher, Robert North and William Seabrook.Marquise De Sade was a libertine who believed in developing his imagination. He was also into non consensual torture. Masocher who had a bad experience with an aunt discovered his love for pain. He was also into contracts and agreement. Seabrook practiced bondage and suspension techniques aimed at achieving the trance state. He wrote books about the Middle East and witchcraft.The book next covers the two types of universes. The subjective is like our dream world and the objective is the physical universe. You can manipulate the objective in order to alter the subjective or manipulate the subjective in order to alter the subjective.To those experienced in BDSM and magic the safety techniques and the creating of a sacred space will not be ground shaking but to the newbie may well be revolutionary .Would have been nice to have a few sample rituals to serve as a guideline included. I wonder what deities beside Artemis and Dionysus work well with flagellation and bondage . Perhaps the book could be extended and this information included.
This book is an intriguing read, particularly if you're into sex magic and BDSM. It's well written, informative (in a general way), and offers some ideas of how to incorporate BDSM into sex magic. The authors also offer a lot of theory in this book, explaining what carnal alchemy is and even offer a bit of practical advice in terms of how to play safe in BDSM and how to work sex magic through the dominant-submissive paradigm. I particularly like the list of recommended readings, which give readers some more reading they can do.Also the explanations of the tools and various techniques will prove useful and illuminating, for anyone into BDSM. I also like that the authors stress the importance of having some experience with BDSM and being both a submissive and dominant.However, while I did like this book a lot, I would've liked to have seen more focus on the physiological/psychological aspects of BDSM and how those aspects could be applied to carnal alchemy. Given that alchmy is a transformation, I would like to know how the authors factored in physiological changes and how those changes could be purposely used by either the dominant or submissive. The same applies to the psychological aspects.
A difficult book to review - on one hand it promises so much and comes so close, yet like a great scene leaves you yearning for more. On the other, it points off to so much literature that it will keep one reading for quite a while.So I'm both pleased and disappointed.
The psychological and magical reality behind practices of bondage and flagelation in the arousal, sustainence, and direction of the body's subtle energies for magical and psychic purposes. Dr. Flowers and his wife write from experience and scholarship.Carl Llewellyn Weschcke
This book (2013 third edition) is about sex magic on a ritual sadomasochistic context. It begins with a brief history of sexual magic and its main exponents (Marquis de Sade, Sacher-Masoch, Aleister Crowley, Ernst Schertel, William Seabrook, Gerald Gardner, Robert North and last but not least Anton Szandor Lavey). Chapters 3 shows in a concise manner the general theory what the authors designate as "carnal alchemy": "The use of Sadean methods to effect the purposes of Alchemy." Chapters 4 and 5 describe the submissive and dominant participants. Chapter 6 [How to work] put the theory into practice. From Chapter 7 [Working Techniques] I quote this interesting excerpt:"But the true Sadean use of such penetration comes in when such penetrations are made painful, at least initially, due to the size or surface texture of the object being inserted, or made humiliating in some way. Submissives may be trained to take larger and larger objects into their orifices - each time stretching them a bit more, each time causing them to have to struggle with the pain of the insertion. Since, as a rule, for these penetrations to be successful the submissive has to "give in" to the experience - and literally "open up" to accept the violation of the dominant - this technique is powerful both symbolically and physically."(...) "Perharps the ultimate experience in this type of penetration is the act known as "fisting" in which the dominant will thrust an entire hand and often forearm into the vagina or rectum of a submissive."Chapter 8 [The Chamber] has precious information about the place to perform the ritual. A smart conclusion, two appendixes (The Order of the Triskelion & Resources), notes, glossary, an up-to-date sadean bibliography and a bibliography of sex-magical texts for further study plus an index are included in this little gem.
I loved this book.It was an amazing read that summarized the history of Sex Magick. Thank you Stephen and Crystal Flowers!
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